Hot off the Easel: September, 2015 Edition

Hot off the Easel is a new monthly feature blog that I am introducing with this edition. It is designed to showcase a cross-section of vital and varied contemporary paintings. 
- John Seed
Artist Ayn Choi with We're All Fragile Beings and Do What We Can To Survive
2012-2015, Paint on polycarbonate, 12'x10'

Kate Kretz, Gunlicker I, 2015
Oil and acrylic on Gatorboard, 20" x 16", photo by Greg Staley

"This is the first in an ongoing series on the fetishization of guns in our country." - Kate Kretz

Michael Pearce, Nimbus, 2015
Oil on canvas, 48" x 60"

"Nimbus is part of a series of paintings I made about love: you can't deconstruct love - it's too real."

- Michael Pearce

Nimbus will be in an exhibit titled "Love" from September 3rd - 25th at:
The Blackboard Gallery 2222 Ventura Boulevard Camarillo, CA 93010

Chet Glaze, You told me I was the only one, 2015
Acrylic on canvas, gold leaf on wood, 60" x 73"

"This painting reflects a few years worth of effort in defining my personal relationship to a public space and its subsequent destruction." - Chet Glaze

Currently on view through September 12th at Patrick Painter Inc. as part of Jagged Negotiations.

Kim Frohsin, Seeing Red: Cone #1, 2015
Mixed media on rag board, 24 1/8" x 19 3/8"

"This painting came to being as an immediate reaction/result of an internal, visceral rage: a sense of entrapment and bewilderment I felt back in July while stuck in a huge bumper-to-bumper traffic jam trying to the Bay Bridge to get home." - Kim Frohsin

Tony Pro, Kanye vs. Sumo or the Death of Music, 2015
Oil on linen, 22" x 22" © Tony Pro Fine Art

Grant Drumheller, Escalator, 2015
Acrylic and mixed media on canvas, 72" x 108"

Escalator at the Beaubourg is a recent image, never shown, that explores the magical quality of human beings in separate vignettes, moving through an urban space, in league with light, color and pattern. - Grant Drumheller

Grant Drumheller: Between Worlds is on view at Gordon College through October 14, 2015
Kyle Staver, Waterfall and Red Fox, 2015
Oil on canvas, 68" x 58"

"Each year I paint Tom, my husband, an anniversary love letter: this is this year's." - Kyle Staver

Kyle Staver: Tall Tales Steven Harvey Fine Art Projects September 9 - October 11

David Iacovazzi-Pau: An Unaffected Approach to Portraiture

David Iacovazzi-Pau, whose paintings and works on paper are now on view at the Carnegie Center for Art and History in New Albany, Indiana, has a straightforward, unaffected approach to portraiture. Unlike some portraitists who have a dominant agenda--for example, psychological realism or the glamorization of their sitters--Iacovazzi-Pau is mainly interested in having his completed images broadcast both visual and emotional "rightness." His job, as he sees it, is to paint his subjects honestly, without letting his ego get in the way. He is both astute and modest.

"The most important thing," he observes, "is to make sure that my paintings keep the feeling that I have when I am around my subjects."

John Seed Interviews David Iacovazzi-Pau

David Iacovazzi-Pau: Photo by Michael Brohm

You seem to have a natural interest in people's character. Have you always been that way?

 I've always been interested in people's stories and in idiosyncratic personalities. Conformist attitudes bother me, so working with diverse personalities fits my spirit of inquiry. I usually feel more comfortable in a one on one situation because it often draws out the genuine makeup of a person. Looking back I can find some examples of my interest in people, such as when I was fifteen or sixteen I was eager to meet Martin Gray after reading his autobiography, "For Those I Loved". At that time he was living in the south of France, so while I was there on vacation my grandfather and I called him from a phone booth near Fréjus. He was kind and courteous and told us he would have liked for us to stop by but he was getting ready to leave for the U.S. I was also fortunate to have my parents and grandparents taking me and my brother on trips around Europe and North Africa, as well as the U.S before I was 18. It exposed me to different cultures and mentalities which probably shaped the way I see things and perhaps emphasized my interest in people.

Gunnar (Portrait of Gunnar Deatherage), Graphite and Oil on Paper, 24 x 18 inches, 2015

Tell me about your portrait of Gunnar Deatherage and what you want it to project. 

I enjoy learning something new each time I work with someone and working with Gunnar was no exception. He's a young talented fashion designer and one of the aspects I wanted to project was his style by highlighting only parts of the drawing with colors that to me are reminiscent of him. Gunnar works mostly with black and grey which are predominant in the portrait. Giacometti once said, if you close your eyes and think of someone you know, you will picture them facing you - not in profile or three quarter - I tend to agree with this observation, plus it's easier to get more information that way. That's why most of my portraits are done in a frontal pose such as this one.

Russel & Shelley (Portrait of Russel & Shelley Hulsey), Oil on Canvas, 48 x 36 inches, 2015

What are the challenges of doing double portraits? 

The challenge for me is to portray two people and still have their individual identity coming forth as the main focus of the painting. The narrative of their relationship or chemistry is always done in subtle ways via a certain pose or a particular disposition of color(s) for example. But I don't want it to become the predominant aspect of the painting.

Exhibition View

How does it feel to see so many of your portraits in one place? 

I'm pleased with how the curator, Daniel Pfalzgraf arranged the artworks. He gave each artwork enough space between them so they don't look smothered. It allows the viewer to give more attention to the portrait without being distracted. When I see the show and walk around the gallery, looking at each portrait brings me back to their stories and the time I spent with them. It's a good feeling overall even though there's a hint of melancholia.

Exhibition View

What kinds of reactions have you been getting to your show? 

So far it's been all positive. People are starting to understand better what I do and where I'm coming from. We'll see what the future holds.

David Iacovazzi-Pau: Paintings and Works on Paper (exhibition catalog)

Exhibition Schedule:

Carnegie Center for Art and History, New Albany, IN, July 24 - September 26, 2015.

Swanson Contemporary Gallery, Louisville, KY, November 6 - December 12, 2015.

Patio Gallery, Louisville, KY, January 3 - February 9, 2016.