The show is accompanied by a catalogue that features essays by Dr. Kahng; Marc Gotlieb, Director of the Graduate Program and Class of 1955 Memorial Professor of Art, Williams College; and Michèle Hannoosh, Professor of French, University of Michigan.
As the show's title suggests the issue of finish is extremely important in experiencing Delacroix's oil paintings. Delacroix and the Matter of Finish is the first exhibition to invite side-by-side comparison between Delacroix's paintings and the so-called "sketch-copies" by his closest students, Pierre Andrieu (1849-1935) and Louis de Planet (1814-1876). Delacroix's oils tend to be executed with a certain roughness and his use of impasto caused him to be derided as a "pastry cook" painter during his lifetime.
The artist, who felt that his execution allowed viewers to complete his images and ideas in their own imaginations, has a distinctive hand that Eik Kahng wanted to be apparent and available in a variety of scales and contexts. To give visitors a sense of the monumentality and dynamism of Delacroix's large works, the museum has installed digitally printed scale facsimiles adjacent to his actual works.
October 27, 2013 - January 26, 2014
Santa Barbara Museum of Art
1130 State Street, Santa Barbara, CA 93101
Museum Hours: Tues-Sun
11AM-5PM, Thursdays 5-8PM