The exhibition Lightning Strikes: 18 poets.18 artists. -- at Dolby Chadwick Gallery through January 30th -- has its roots in the idea of ekphrasis: poetry that describes or responds to a work of art. Conceived and organized by gallery director Lisa Dolby Chadwick, the exhibition isn't about artists creating illustrations of poems or even about collaboration. Instead, by generating what she characterizes as "thoughtful pairings" Chadwick wanted to see if she could make "lightning strike" in the form of flashes of inspiration. Coming from her conviction that poetry is not as widely represented or supported as it should be in contemporary culture, Chadwick wanted bring together a diverse group of poets and artists to open up a fresh conversation about how the verbal and the visual can interact with each other. Charlie Pendergast, one of the participating poets, describes the project as being "conceived in that fortunate space where two passions meet to willingly inspire each other." Lightning Strikes is also, in his view, an opportunity to "nurture our greater intentions as artists, as believers in art, in a more powerful community." During the development stages of the project, Chadwick worked as a kind of matchmaker, contacting both poets and artists and working out details:
Below: A collage by Matt Gonzalez paired with a poem by Truong Tran
Matt Gonzalez, Retract the word, forthwith, 2015
Found paper collage, 14 x 11 inches
After receiving a poem I would reflect on the tone and quality of the writing and would suggest an artist who's work naturally had a dialogue with the poet. There was a lot of back and forth: getting many of the poets to agree to the project was much more challenging than I had anticipated. Because of my long relationships with artists it was an easier call and most gave an enthusiastic 'yes'. One of the artists told me after the fact they were dreading the project but when they received their poem they felt inspired and excited to contribute. With some of the poets, I started out by working with their agents or managers, trying to explain the high integrity of the exhibition. For example, with poet Billy Collins, I initially worked with his agent, and although Billy very generously agreed, he was less than enthusiastic. After sending a few ideas about artists he got inspired and offered a different poem. Even though a few poets initially were skeptical and had questions -- for example 'Is my poem going to be collaged into the art?' -- in the end they all had good experiences and I think were happy with the exhibition and book.For the opening of Lightning Strikes, 15 of the visual artists were present and 14 of the poets read, reciting not only the poem that had been paired with a painting, but also one additional poem. Lawrence Ferlinghetti, the 96 year old poet/painter and co-founder of "City Lights" bookstore attended, but wasn't feeling well enough to read. It was, for everyone involved, a momentous occasion.
Lightning Strikes - Artist and Poet pairings: Bill Berkson and Katina Huston, Richard Blanco and Vanessa Marsh, Billy Collins and Edwige Fouvry, Peter Coyote and Ann Gale, Lawrence Ferlinghetti and Terry St. John, Matt Gonzalez and Sherie' Franssen, Robert Hass and Alex Kanevsky, Brenda Hillman and Jaq Chartier, Jack Hirschman and Ann Weber, Alice Jones and Jenifer Kent, Devorah Major and Louise LeBourgeois, Charlie Pendergast and Kai Samuels-Davis, Renny Pritikin and Travis Collinson, Ed Smallfield and Danae Mattes, Tamsin Smith and John DiPaolo, Gary Snyder and Mayme Kratz, Truong Tran and Matt Gonzalez, David Whyte and Michael Kenna Lightning Strikes: 18 poets. 18 artists. December 12, 2015 -- January 30, 2016 Dolby Chadwick Gallery Click here to order the Exhibition Catalog
from SPECULATIVE NOTES Truong Tranyou read a book that begins as obligation you owe it to your friend who was once your student you read it in hopes of framing its virtues in a few sentences you read a book in the shape of a key a door appears and the weight of this key sits in your hand you are past the point of the obligatory rendering you are intrigued you are held by the weight of what's written uneasy in its image unwillingness in its gaze you are reading a book made up of unwritten words you describe it as beautiful but want to retract the word in that instance you weigh the weight of that key in your hand you thread the hole you turn the key you unlock the body the door swings open it creaks with history you unlock the body to find bodies within you read this book you describe it as beautiful you say the light is unbearable as you bear it all the same you accept the consequences of your own doing