Essays/Commentaries

A David Park Drawing: A Gift

An Alluring Woman With Fries and McDonaldization in Art

A Modest Proposal for MOCA: Show More Representational Paintings

Artists Respond: Can a Nazi Painting Be Seen With Fresh Eyes?

Art Making in the Age of Mouse Clicking

Artforum: Slowly Sinking in a Sea of Bloggers? Not Quite...

Courbet the Trout, Matisse the Goldfish

Eric Fischl: From Bad Boy to Good Man

Fast Food Art vs. Slow Food Art

F. Scott Hess Paints a Portrait

Has the Art Market Gone Medieval?

I Don't Deconstruct

"Insanity": The Story of a Painting

Is Smarthistory the Art History Textbook of the Future?

Jean-Michel Basquiat: 80 Percent Anger and 20 Percent Mystery

Mazurki: The Multiple Meanings of a Philip Guston Drawing

Mike Kelley (1954-2012) And Thomas Kinkade (1958-2012) Have Gone Home

More Blek: Max Beckmann the Teacher

On Taste, Richard Serra and Green Eggs and Ham Syndrome

Picasso's "Recession-Proof" Harem

Robert Hughes and the Warhol Faultline: Where Do You Stand?

Saying Goodbye to Diebenkorn

Selling Iowa's Pollock Mural: A Zen Buddhist Perspective

The Anderson Collection: A Record of American Artistic Innovation

The Ghosts of Chairman Mao and Andy Warhol Haunt a Hong Kong Art Auction

Towards Eclecticism

Warhol's 32 Campbell's Soup Cans And The Decline Of Connoisseurship

When Appreciating Works of Art, Being There Is Always Best

When Art Becomes a Movie Star

What Artists Have to Say About Intuition

What Makes a Jackson Pollock Painting Worth Millions?

When Art Worlds Don't Collide: TRAC 2014 and the Whitney Biennial

When Fame Replaces Art

When Is a Nude OK on Facebook?